Lift off
For now, you can visit space and culture to see what's caught our attention lately.
Have a great weekend!
My, oh my! What should my superpowers be? What about my nemesis? And let's not forget my costume...
So interesting I wish he'd explained more about what each entails - especially since ambiguity (one of my favourites) is missing.
Update - Yes, this is the DEVO we're talking about. And if you haven't seen Mark Mothersbaugh's Beautiful Mutants, they are a sight to behold.
Hmm. City of Sound, anyone?
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Cool. As part of the Hackers and Tinkerers session, Jofish will be presenting his research on William G. Broughton: One Radio Ham (pdf).
Fascinating stuff for anyone interested in wireless identities and practices. I also recommend taking a look at his paper Hacking: An underrepresented practice in STS (pdf), in which Jofish discusses how computer hackers, early rural automobile users and radio amateurs have opened up technological black boxes to become agents of technological change. He argues that it is precisely their irreverent attitude towards technology that challenges traditional (reverent) relationships between producers, consumers and technologies.
The story also touches on the material or tactile aspects of mobile phones:
I'm rather curious to know how the researcher came to her conclusions on people's motivations - something that is notoriously difficult to get at - and if these interpretations are the same across the cultures studied.
But what are the lessons here that can be applied to current concerns about camera phones, online distribution and other potential invasions of privacy?
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I'd love to see this happen on all sorts of blocks...
Cassidy Curtis spoke on the Graffiti Archeology Project, which I have blogged before because I really like graffiti, time-lapse photography and the notion of layered cities. When I was in London, I wished that someone was taking photos of the ever-changing billboards in tube stations (including the beautiful phase between adverts where past fragments battled for my attention). And speaking of billboards, Jack Napier gave a fun presentation on the advertising improvement efforts of the Billboard Liberation Front. Those guys rock.
And as if that weren't enough, I had the pleasure of hanging out with Molly and Peter at the after-party. In fact, Peter has made some interesting comments about the "new and cool thing" that is urban computing.
I, for one, have a new appreciation for Intel Research. I didn't believe a bunch of suits would think such an event would be a good idea. And it was. They did a great job. I am particularly grateful for the opportunity to meet and hang out with such brilliant people!
(As for my presentation, well, people seemed to enjoy it. I ranted about our desire to come up with solutions before we've got the questions right. And since I didn't provide any answers, I figured the least I could do for my Urban Computing workshop paper is provide a list of what I think are important concerns. Stay tuned.)
Edge Town reminds me of spectacular carchitecture and the more mundane Motorway House. An exploration perhaps more of non-places than of third-spaces, the project still focusses on contested space - or those spaces (and identities) that do not easily easily fit into either/or categories. Hybrid spaces. Voluptuous spaces. A non-place is an ambiguous site: the very type of space that would appear in a pattern language (like a place to wait) but that would also challenge or resist the entire premise of stable structure that underlies patterns. Very interesting.
On a related note, Ben's DATACLIMATES design practice partner is Pedro Sepúlveda Sandoval - who did an amazing PhD project for the RCA:
Digital Shelters
I really appreciate the focus on resisting surveillance by means other than sousveillance. After all, humans have always sought shelter from oppressive climates and dangerous cultures. In caves, Jews found sanctuary from the Nazis, and while fallout shelters may not have saved people from nuclear devastation, they arguably provided comfort from fear and uncertainty. It should come as no surprise, then, that we will also need safe and quiet reprieves in - and from - our digital landscapes.
Fall 2004 Intern Position - Urban Probes Redux
No it doesn't. Actually, it kind of scares me.
Originally published in 1955, The Chrysalids is a classic example of exploring contemporary fears through futuristic science fiction - but I think John Harrison's introduction is over-optimistic. What I mean is that I'm not sure we have actually realised what he says we have.
Think about the rhetoric around new technologies: we still talk about them as if they are inevitable and somehow outside of our control. We like to say that people will make of them what they will - a seemingly liberating position for both users and designers, but one that simultaneously lacks accountability. I have yet to hear one person tell me that these brave new technological worlds are their responsibility instead of someone (anyone) else's - a position that I believe teeters dangerously between complicity and duplicity, although few are likely to admit that is how they express their agency.
The Ultra-Condensed Version by Samuel Stoddard is also good.
Holly Stevens, cited in The Ocean, The Bird, and The Scholar by Helen Vendler
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(Thanks Jonah)
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